Yaeji Biography, Age, Family, Ethnicity, Music, Height, Net Worth Interview

Yaeji Biography

Yaeji born as Kathy Yaeji Lee is a Korean-American electronic music artist with elements of house music and hip hop with mellow, quiet vocals sung in both English and Korean.

Yaeji Age

Yaeji was born on 6 August 1993 in Flushing, Queens in the New York City, U.S.She is 25 years old as of 2018

Yaeji Family

She is the only daughter of a Korean family. Her father was an overwhelming metal artist who was careful about popular music and would blue pencil music from such craftsmen as Pussycat Dolls. When she entered the third grade, her parents thought that she was winding up too Americanized and chose to move to South Korea. She moved from New York to Atlanta at the age of 5, and later to South Korea in the third grade

Yaeji Education

In South Korea, she switched between different international schools on a yearly basis, which made her find friends on the Internet, where she would first discover music. She also attended school in Japan before moving back to Korea. She studied conceptual art, East Asian studies, and graphic design at Carnegie Mellon University in Pittsburgh where she graduated in 2015

Yaeji Music career

After graduation, Yaeji moved back to New York City to get engaged with the music scene and DJ. Her first single, “New York ’93”, alluding to her time of birth, was issued on the New York City name Godmode on February 29, 2016, trailed by a front of “Guap” by Australian DJ Mall Grab that May. She had recently transferred tunes to SoundCloud, in spite of the fact that they were evacuated; this included “Areyouami”, which was discharged when she was at school. Her introduction eponymous EP, including both earlier singles, was discharged by Godmode on March 31, 2017.

She started to pick up consideration following her first Boiler Room session in May 2017, which included a remix of Drake’s single “Passionfruit”. The tune was later discharged formally on Godmode’s Soundcloud page. The first of a few independent singles, “Treatment” was issued in July 2017, trailed by a two-track computerized single, Remixes, Vol. 1, on August 1 and the “Final gasp” single on August 28.

The music video for the single “Drink I’m Sippin On” was discharged on 88rising’s YouTube divert in October 2017, rapidly increasing over a million perspectives in about fourteen days. On November 3, 2017, Yaeji discharged her second EP, EP2, to positive surveys and moderate business achievement. The video for “Raingurl” was discharged on November 16. She was named to the BBC’s Sound of 2018 longlist in November 2017. She performed at the 2018 Coachella Festival.

Yaeji Height and Body Measurements

Height: 171 cm
Bust:32.5″
Waist: 25″
Hips: 35.5″
Dress: 4
Shoes: 8
Hair: Brown
Eyes: Black

Yaeji Interview

Meet Yaeji, House Music’s Most Exciting New Voice

This New York City-based singer, rapper, producer, and DJ has a knack for turning bass-heavy bangers into intimate affairs.

Pitchfork: How did you first learn to make music and produce beats?

Yaeji: Just trial and error. In college, I downloaded Ableton and skipped a bunch of classes and played around. And growing up, I learned how to play the piano and the flute to a certain extent, and I tried to teach myself how to play guitar, ukulele, things like that. But music was really a short-lived hobby, and I had no idea I would rediscover that hobby because I always believed myself to be a visual person. All of the music stuff was a surprise.

Do you approach visual arts and music in the same way?

The overarching similarities in any creative process for me is that I’m more impulsive than others—a lot of thinking less and making a mess.

How did you make the decision to switch between Korean and English in your songs?

Initially, I chose Korean because I didn’t want people to understand what I was singing about—and then I discovered that I actually really like how Korean sounds. It’s a very angular, textured sound, which is why a lot of my vocals sound whispery. I was very much focused on the phonetics of it, tied in with cadence and flow.

You’ve covered Drake’s “Passionfruit,” and there’s something about your flow that’s really similar to rapping.  

I love that you call it rapping because that’s what I really I want others to hear. I definitely feel like I’m rapping. When I’m playing my hybrid live sets, where I’m DJing and mixing in live vocals, it’s created a really amazing feeling for me. Like you’re captivating the audience because you have a mic, and you’re just spitting bars.

It can be hard to classify your music. Sometimes it’s a house. Other times it’s pop. And of course, there are those strands of rap.

What’s nice about being a DJ and an artist at the same time is that it’s pretty much a platform where I’m given an hour to showcase all my favorite songs, and I can play really different stuff without having to stick to type. That gives people an understanding of where I’m coming from that’s deeper than just my production. And it’s always changing.

You talk about depression and your Korean identity in your songs. How do you begin writing lyrics to a track?

Typically, the content for what I’m singing or rapping about comes from a little notebook that I take notes in on the subway during my commutes. They’re more emotionally driven. Sometimes when you’re at events or in public, especially in New York, because you’re always around a lot of people, it can be easy get into your personal zone, even though you’re surrounded. You just learn how to do that. It’s crazy, especially at clubs, because DJs create a mood, and sometimes the experience is to just be in that bubble they’re creating and meditate in it.

I have a new song called “Raingurl” that’s the definition of introspection at the club. It’s all from these experiences where I think about the things my music is about, which includes being Korean and American, and therapy, and when people are depressed and how to get out of it. Making music, performing it, seeing it—it’s a vessel for a lot of different thoughts for me. At the same time, it’s about having a fun time. I’m going out with my friends and I love hanging out with them. It’s my favorite thing!

Your parents censored your listening as a kid and have been skeptical of your music career—have they seen any of your shows yet?

Yeah, they came for my birthday last year, when I was playing a small festival here. That was around the time they started to warm up to the idea of me making music because they saw how seriously I was taking it. When they saw me really putting my all into it live, it resonated. They’ve been very supportive since.

Source: pitchfork.com

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