| Intro | Musician, songwriter |
| Is |
Musician Drummer Jazz musician |
| From | United States of America |
| Type | Music |
| Gender | male |
| Birth | 10 May 1961, Lawrence |
| Age: | 59 years |
Daniel Edwin “Danny” Carey (born May 10, 1961) is an American drummer and instrumentalist best known for his work in American Grammy Award-winning progressive rock band Tool. He has also contributed to albums by artists such as Zaum, Green Jellÿ, Pigface, Skinny Puppy, Adrian Belew of King Crimson, Carole King, Collide, The Wild Blue Yonder, Lusk, and the Melvins.
Biography
Born in Lawrence, Kansas, Carey’s first encounter with the drums began at the age of ten by joining the school band and taking private lessons on the snare drum. Two years later, Carey began to practice on a drum set. In his senior year of high school in Paola, Kansas, Carey joined the high school jazz band and began to study drumming under Ben Kelso specifically for jazz drumming training. Jazz would later play a huge role in his signature approach to the drum set in a rock setting. As Carey progressed through high school and later college at the University of Missouri–Kansas City, he began expanding his studies in percussion with theory into the principles of geometry, science, and metaphysics as well as delving into Sacred Geometry and certain hidden aspects of life and the occult. Carey also played jazz while attending college and got to experience the jazz scene in Kansas City.
After college, a friend and bandmate convinced Carey to leave Kansas for Portland, Oregon, where he played briefly in various bands before moving to Los Angeles, where he was able to perform as a studio drummer with Carole King and perform live sets with Pigmy Love Circus. He also played in Green Jellÿ as Danny Longlegs and recorded the album Cereal Killer. He would later find his way to Tool after coming to know singer Maynard James Keenan and guitarist Adam Jones and practicing with them in place of drummers the two had requested but had never shown up. Besides Tool, Carey also finds time for other projects new and old such as Pigmy Love Circus, Volto!, and Zaum.
Religion and the occult
Although Carey has not officially aligned himself with any particular school of philosophy or religion, he has projected a deep interest in and understanding for the magickal arts – among them various occult teachings. Enochian symbols, geometric designs, and special symbolic percussive devices are featured on and in his drum kit. He is also a collector of First Edition Aleister Crowley books as well as books by one of Crowley’s more innovative students, Kenneth Grant.
Geometric designs
Carey has laid claim to various drumming techniques that use sacred geometric figures such as the unicursal hexagram. The final product is very recognizable, fluent drumming, although to him it is much more: the official Tool website claims that Danny uses drumming as a ritual similar to occult rituals, with purposes varying from spiritual exploration to “a gateway [which] summoned a daemon he has contained…that has been delivering short parables similar to passages within The Book of Lies“. Another geometric reference from the website was the inclusion of Nothing in This Book Is True… by Bob Frissell on the band’s recommended reading list, a book that deals with sacred geometry and the evolution of human consciousness.
Side projects and other musical endeavors
In his time away from Tool, Carey has contributed (and still regularly does) to a vast number of projects:
- Side project Legend of the Seagullmen, consisting of Carey, Brent Hinds, and Dimitri Coats. Jimmy Hayward and Pete Griffin
- Fusion band Volto!, which regularly plays shows in the Los Angeles area, consisting of both covers and original material.
- Pigmy Love Circus, which has recorded several albums
- Electronica-oriented project Zaum
- Green Jellÿ
- Pigface
- Drums on the track “Use Less” from the album The Greater Wrong of the Right by Skinny Puppy
- Contributed to Adrian Belew’s Side One and Side Three projects with bassist Les Claypool
- Drums on certain tracks of the Carole King album Colour of Your Dreams (as a session drummer) with Velvet Revolver guitarist Slash playing on select tracks
- Drums on the track “Somewhere” from the Collide album Some Kind of Strange and several tracks from Two Headed Monster
- Made an appearance on the 1997 album Free Mars by former Tool bassist Paul D’Amour’s band Lusk
- Drums on the track “The Fourth” on the self-titled album from Feersum Ennjin, the band of former Tool Bassist Paul D’Amour
- Brandon Geist
- Tour drummer for Primus during 2014 Riot Fest (November 17, 2011). “Exclusive: Feersum Ennjin Premiere “The Fourth,” Featuring Tool’s Danny Carey – Revolver Magazine”. Revolvermag.com. Retrieved October 9, 2012.
Equipment
Carey uses the wood tip version of his own signature model of drumstick made by Vic Firth. He previously had endorsed a signature model with Trueline Drumsticks (now Trueline’s Tribal Assault model.)
At Winter NAMM 2009 Sonor released a Danny Carey signature snare drum, which is a 1 mm thick bronze 14×8″ snare with laser etched talisman symbols and his signature engraved around the vent hole.
Carey also uses Paiste cymbals, Evans Drumheads, Hammerax Percussion, and Korg and Roland electronics.
Drumming techniques
Carey’s popularity among drummers and non-drummers alike stems from the diversity of his sound and dynamics through his years of learning jazz music, his technical ability, frequent use of odd time signatures, polyrhythms and polymeters. He has stated in interviews that he effectively treats his feet as he does his hands: he practices rudiments (used for sticking techniques) and even snare drum solos with his feet to improve his double bass drumming, hi-hat control and foot independence.
In search of new techniques, Carey has studied tabla with Aloke Dutta, who can be heard playing on the live version of the song “Pushit” (from Salival). This is especially apparent on tracks such as “Disposition” (Lateralus) or “Right in Two” (10,000 Days), for which Carey has recorded the tabla parts himself in studio. The tabla (and other percussive instruments) used in Tool’s music are replicated live using the Mandala pads (in fact the pads are also used when recording in the studio, a notable example being the tabla solo of “Right in Two” from 10,000 Days).
He has also stated that when he is playing to an odd time signature, he tries to drum to the “feel” of the song and establish general “inner pulse” for the given time signature instead of fully counting it out.
Carey has been featured in many drum and music magazines.