Jasper Conran’s husband, Oisin Byrne, is an Irish artist, writer, and filmmaker working in London. Find out more about them.
Jasper Conran is a designer from the United Kingdom. He has worked on womenswear and home collections and theatrical shows in ballet, opera, and theatre.
Oisin Byrne’s work has been shown at the Salzburger Kunstverein, Goldsmiths Centre for Contemporary Art, Witte de With Centre for Contemporary Art, the Irish Museum of Modern Art, and Princeton University among other places.
Who Is Artist Oisin Byrne? Jasper Conran Husband Age And Wikipedia
Jasper Conran married Irish artist and performer Oisin Byrne in December 2015. He is 39 years old, having been born in 1983.
Conran is openly gay and was placed 66th on The Independent on Sunday’s annual Pink List of 100 influential gay and lesbian persons in Britain in 2009.
He is a London-based Irish visual artist, writer, and filmmaker. He graduated from NCAD Dublin with a BA and Goldsmiths University London with an MFA.
Byrne’s work has been shown at the Salzburger Kunstverein, Goldsmiths Centre for Contemporary Art, Witte de With Centre for Contemporary Art, the Irish Museum of Modern Art, and Princeton University, among other places. The Irish State Collection has a significant representation of his art.
His work has appeared in Eros Press and Pilot Press, and he has material forthcoming in MA Bibliotheque’s anthology ‘ON CARE’ and The Happy Hypocrite’s last edition ‘Without Reduction.’ Sophie Fiennes’ film “Grace Jones: Bloodlight and Bami,” which premiered at the Toronto Film Festival, has Byrne as a creative consultant.
As an associate lecturer, he teaches at Central Saint Martins and the London College of Communications.
Meet Oisin Byrne On Instagram
Oisin Byrne is quite active on Instagram with the user name @byrneoisin. He has followers of around 7,846, with the posts 495.
He has mostly kept the picture of his art. His art explores how the self can be represented or contained within a person’s multiple layers. When the audience walks inside the gallery, they are confronted with a space where color, music, language, and texture collide.
There is a sense of excitement, generosity, and sharing standing on a carpet depicting the edges of Byrne’s notebooks, with neon post-it note tabs popping out, marking pages, and frantically mapping the artist’s thoughts. The sensory and affective interaction creates queer performativity that is both empowering and vulnerable.