Sophie Marceau Biography
Sophie Marceau (Sophie Danièle Sylvie Maupu) is a French actress, director, screenwriter and author born on 17th November 1966 in Paris, France. She gained popularity with her debut films La Boum (1980) and La Boum 2 (1982), receiving a César Award for Most Promising Actress.
Marceau became an international film star with her performances in Braveheart (1995), Firelight (1997), and the 19th James Bond film The World Is Not Enough (1999).
Sophie Marceau age
Sophie Marceau was born 17 November 1966 in Paris, France (51 years as of 2017). She is the second child of Simone (née Morisset), a shop assistant (d. 2016), and Benoît Maupu, a truck driver. Her parents divorced when she was nine years old.
Sophie Marceau Husband
In 1985 Sophie Marceau began dating director Andrzej Żuławski but they split in 2001. Their son Vincent was born in in July 1995. In 2001 she began dating producer Jim Lemley, they dated for six years until their separation in 2007. They have a daughter Juliette born in June 2002.
At the beginning of 2007 she began a relationship with Christopher Lambert with whom she appeared in the films Trivial and Cartagena. They announced their separation on 11 July 2014.
Sophie Marceau Career
In February 1980, Sophie Marceau and her mother came across a model agency looking for teenagers. Marceau had photos taken at the agency, but did not think anything would come of it. At the same time, Françoise Menidrey, the casting director for Claude Pinoteau’s La Boum (1980), asked modeling agencies to recommend a new teenager for the project.
After viewing the rushes, Alain Poiré, the director of the Gaumont Film Company, signed Marceau to a long-term contract. La Boum was a hit movie, not only in France, where 4,378,500 tickets were sold, but also in several other European countries. In 1981, Marceau made her singing debut with French singer François Valéry on record “Dream in Blue”, written by Pierre Delanoë.
In 1982, at age 15, Sophie Marceau bought back her contract with Gaumont for one million French francs. She borrowed most of the money. After starring in the sequel film La Boum 2 (1982), Marceau focused on more dramatic roles, including the historical drama Fort Saganne in 1984 with Gérard Depardieu and Catherine Deneuve, Joyeuses Pâques (Happy Easter) in 1984, L’amour braque and Police in 1985, and Descente aux enfers (Descent Into Hell) in 1986.
In 1988, she starred in L’Étudiante (The Student) and the historical adventure film Chouans!. That year, Marceau was named Best Romantic Actress at the International Festival of Romantic Movies for her role in Chouans!
Sophie Marceau
In 1989, Sophie Marceau starred in My Nights Are More Beautiful Than Your Days, which was directed by her long-time boyfriend Andrzej Zulawski. In 1990, she starred in Pacific Palisades and La note bleue, her third film directed by her companion. In 1991, she ventured into the theater in Eurydice, which earned Marceau the Moliere Award for Best Female Newcomer.
Throughout the 1990s, Marceau began making less-dramatic films, such as the comedy Fanfan in 1993 and Revenge of the Musketeers (La fille de d’Artagnan) in 1994—both popular in Europe and abroad. That year, she returned to the theatre as Eliza Doolittle in Pygmalion.
Sophie Marceau achieved international recognition in 1995 playing the role of Princess Isabelle in Mel Gibson’s Braveheart. That year, she was part of an ensemble of international actors in the French film directed by Michelangelo Antonioni and Wim Wenders, Beyond the Clouds. In 1997, she continued her string of successful films with William Nicholson’s Firelight, filmed in England, Véra Belmont’s Marquise, filmed in France, and Bernard Rose’s Anna Karenina, filmed in Russia.
In 1999, she played Hippolyta in A Midsummer Night’s Dream, and the villainess Bond girl Elektra King in The World Is Not Enough. In 2000, Marceau teamed up again with her then-boyfriend Andrzej Zulawski to film Fidelity, playing the role of a talented photographer who takes a job at a scandal-mongering tabloid and becomes romantically involved with an eccentric children’s book publisher.
In recent years, Sophie Marceau has continued to appear in a wide variety of roles, mainly in French films, playing a widowed nurse in Nelly (À ce soir) in 2004, an undercover police agent in Anthony Zimmer in 2005, and the troubled daughter of a murdered film star in Trivial in 2007. In 2008, Marceau played a member of the French Resistance movement in Female Agents, and a struggling single mother in LOL (Laughing Out Loud).
In 2009, Sophie Marceau teamed up with Monica Bellucci in Don’t Look Back about the mysterious connection between two women who have never met. In 2010, Marceau played a successful business executive forced to confront her unhappy childhood in With Love… from the Age of Reason (L’âge de raison).
In 2012, Sophie Marceau played a 40-something career woman who falls in love with a young jazz musician in Happiness Never Comes Alone. In 2013, she appeared in Arrêtez-moi (Arrest Me) as a woman who shows up at a police station and confesses to the murder of her abusive husband several years earlier.
She was selected to be on the jury for the main competition section of the 2015 Cannes Film Festival.
Sophie Marceau Movies
| Year | Title | Role | Notes |
|---|---|---|---|
| 1980 | La Boum | Vic Beretton | The Party |
| 1982 | La Boum 2 | Vic Beretton | The Party 2 |
| 1984 | Fort Saganne | Madeleine de Saint-Ilette | |
| 1984 | Joyeuses Pâques | Julie | Happy Easter |
| 1985 | L’amour braque | Mary | Mad Love |
| 1985 | Police | Noria | |
| 1986 | Descente aux enfers | Lola Kolber | Descent Into Hell |
| 1988 | L’Étudiante | Valentine Ezquerra | The Student |
| 1988 | Chouans! | Céline | |
| 1989 | My Nights Are More Beautiful Than Your Days | Blanche | Mes nuits sont plus belles que vos jours |
| 1990 | Pacific Palisades | Bernadette | |
| 1991 | Pour Sacha | Laura | For Sacha |
| 1991 | La note bleue | Solange Sand | The Blue Note |
| 1993 | Fanfan | Fanfan | Fanfan & Alexandre |
| 1994 | Revenge of the Musketeers | Eloïse d’Artagnan | La fille de d’Artagnan D’Artagnan’s Daughter |
| 1995 | Braveheart | Isabella of France | |
| 1995 | Beyond the Clouds | The Girl in Portofino | Al di là delle nuvole |
| 1997 | Anna Karenina | Anna Karenina | |
| 1997 | Marquise | Marquise du Parc | |
| 1997 | Firelight | Élisabeth Laurier | |
| 1999 | Lost & Found | Lila Dubois | |
| 1999 | A Midsummer Night’s Dream | Hippolyta | |
| 1999 | The World Is Not Enough | Elektra King | |
| 2000 | Fidelity | Clélia | La fidélité |
| 2001 | Belphegor, Phantom of the Louvre | Lisa | Belphégor – Le fantôme du Louvre |
| 2003 | Alex & Emma | Polina Delacroix | |
| 2003 | I’m Staying! | Marie-Dominique Delpire | |
| 2003 | Les clefs de bagnole | La clapman | The Car Keys |
| 2004 | Nelly | Nelly | À ce soir |
| 2005 | Anthony Zimmer | Chiara Manzoni | |
| 2007 | Trivial | Lucie / Victoria | La disparue de Deauville |
| 2008 | Female Agents | Louise Desfontaines | Les femmes de l’ombre |
| 2008 | LOL (Laughing Out Loud) | Anne | |
| 2008 | De l’autre côté du lit | Ariane Marciac | Changing Sides |
| 2009 | Don’t Look Back | Jeanne #1 | Ne te retourne pas |
| 2009 | Cartagena | Muriel | L’homme de chevet |
| 2010 | With Love… from the Age of Reason | Marguerite alias Margaret Flore | L’âge de raison |
| 2012 | Happiness Never Comes Alone | Charlotte | Un bonheur n’arrive jamais seul |
| 2013 | Arrêtez-moi | La coupable | Stop Me |
| 2014 | Quantum Love | Elsa | Une rencontre |
| 2014 | The Missionaries | Judith Chabrier | Tu veux ou tu veux pas Sex, Love & Therapy |
| 2015 | Jailbirds | Mathilde Leroy | La Taularde |
Sophie Marceau Awards
- 1983 – César Award for Most Promising Actress for La Boum 2
- 1988 – Cabourg Award for Best Actress for Chouans!
- 2000 – Cabourg Award for Best Actress for La fidélité
- 2000 – Goldene Kamera for Film International
- 2000 – Blockbuster Entertainment Award for Favorite Supporting Actress for The World Is Not Enough
- 2002 – Montréal World Film Festival Award for Best Director for Speak to Me of Love
- 2002 – Montréal World Film Festival Grand Prix Special des Amériques Nomination
- 2007 – Montréal World Film Festival Grand Prix Special des Amériques
- 2008 – Monte-Carlo Comedy Film Festival Jury Prize for LOL (Laughing Out Loud)
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Sophie Marceau News
Sophie Marceau: the actress who makes the most fantasize women
updated: Apr 26, 2018
Sex between women does not affect French women. But if they had to take the plunge, they have a rather determined idea of the celebrity they would choose: Sophie Marceau.
Not all celebrities are unanimous. But there is one that gathers opinions: Sophie Marceau. Regularly cited in the top personalities favorite in France, the actress is also the subject of fantasy , if we believe the latest survey Ifop (1).
Among the women interviewed, one in six has already felt a desire for a woman. To the point of taking the plunge? Yes, for some of them. And they already know what celebrity they would choose for that.
Half of respondents attracted to women confess a taste for Sophie Marceau . They are rather in agreement with their male counterparts, who are 70% to admit a penchant for the actress.
Other actresses complete this top: 46% of women could make love with Cécile de France and Leïla Bekhti. “Known for her role of lesbian assumed in the trilogy of the Spanish Inn , the Belgian actress undoubtedly seduces women bis or heteros usually sensitive to a behavior or a self-presentation socially coded as masculine,” Ifop analysis in a statement.
But this survey delivers another interesting observation. If lesbian sex is one of the main research sites sites pornographic films , it is mostly men.
Only 17% of women have ever seen two lovers make love , or wish to do so. Among men, two-thirds of respondents say the same thing. The gap is obvious.
As far as the practices represented on the screen are concerned, these gentlemen show even more enthusiasm than women. Where 55% of women would like to see cunnilingus unfold, 72% of men want it. And this subject is, by far, the most consensual.
These answers can be explained “probably because [cunnilingus] is still the poor relation of the sex scenes between men and women visible in the X films, films which are still too often the result of a very phallic vision. centered sexuality “.