Mitali Mukherjee Biography
Mitali Mukherjee (Bengali: মিতালী মুখার্জী) ) is a Bangladeshi classical and playback singer who is known for receiving the National Film Award of Bangladesh in 1982 for the song Ei Dunia Ekhon To Ar for the film Dui Poishar Alta.
She started her formal preparing in old style music under Pt. Mithun Dey. She contemplated music at Maharaja Sayajirao University of Baroda. Mukherjee’s first collection “Saahil” was discharged by HMV. She teamed up with lyricist Gulzar for her collection “Chand Parosa Hai”. She has sung in a few dialects, including Punjabi, Gujarati, and Tamil. Mukherjee filled in as the judge of the TV programs Sa Re Ga Ma Pa and Shera Kontho
Mitali Mukherjee Age
Her age is not known, she was born in Mymensingh, Bangladesh. Her age is not known
Mitali Mukherjee Family
She was born to Amulya Kumar Mukherjee and Kalyani Mukherjee. She has two siblings, Pradip Mukherjee and Deepak Mukherjee who died in 1988. Her family is private and is not well known
Mitali Mukherjee Wife
Mukherjee is married to Ghazal singer Bhupinder Singh. The couple married in 1983. The couple resides in Mumbai
Mitali Mukherjee Height and Weight
She stands at the height of 1.61 meters (feet inches- 5′ 3”) and weighs 50 kg (110 lbs)
Mitali Mukherjee Net Worth
She has made a good fortune through singing. Her net worth is estimated to be around 0.5 Mil to 200 Mil
Mitali Mukherjee Songs List
মিতালী মুখার্জী সেরা বাংলা গান || Best Of Bengali Songs || IndoBangla Music
Shamoyeki | সাময়িকী | | Exclusive Interview | Celebrity Show | Channel i TV
সর্বকালের সেরা রোমান্টিক গান কুমার শানু মিতালী মুখার্জী Kumar Sanu hit song Bangla
Bhalobasa Joto Boro | ভালোবাসা যত বড় | Kumar Sanu &
12. Keno Asha Bedhe Rakhi
performs live in Dhaka
Uncensored with Rafi Hossain | : The Flamboyant Songbird Speaks
& Tapan Chowdhury || Duets || Jukebox
Harano diner moto | | Backstage Cover #84
Golden Hits of || Vol 1|| Jukebox
Keno Asha Bedhe Rakhi
Toronto 2007
Andrew Kishore, Tumi Jodi Chad Hou | তুমি যদি চাঁদ হও | New Music Video 2019
Ebar Jabar Belay
E Jibon Tomake Dilam | এ জীবন তোমাকে দিলাম | Kumar Sanu &
Bolo Tumi Ke ||
The Evolving Assets || || TEDxSIULavale | | TEDxSIULavale
হারানো দিনের গান || || মিতালী মুখার্জী
Duets of & Kumar Sanu || Jukebox
Keno Tumi Nei ||
Chader Alo || & Andrew Kishore || Jukebox
Harano Diner Moto | | With Bangla Lyrics Clear Sound
Tomari Protikhai by & Monir Khan
Bhalobasa Amader Praner Badhon || Anuradha Paudwal, & Bhupinder Singh
Ami Ki Tomar Moto Eto ~~~
26E Jibone Jotodin & Badsha Bulbul
bhalobasa andho Kumar Sanu & Baba keno chako
Ontor Katia Dibo By Kumar Sanu 2016
Amari Bhule Shudhu ||
Karo Apon Hoite ||
Pichhu Daki Tobu Chole Jay ||
Sokal Dupur & Badsha Bulbul
অন্তর কাটিয়া দিবো মিতালী মুখার্জী || Ontor Katia Debo || Sathi Music
Akasher Buke & Badsha Bulbul
Keno Ashaa Bendhe Rakhi | Afjal Hossain |
Firiye Ene Dao ||
Financial Lessons I Learnt From My Mom | With On Oye Womenyia
Hei Karo Ki Thakurpo ||
Mitali Mukherjee Twitter
Tweets by MitaliLive
Mitali Mukherjee Interview
The Flamboyant Songbird Speaks
Mitali Mukherjee has carved a special place in the hearts of the music lovers with her timeless songs and Ghazals. Her melodious voice has made remarkable contributions to the growth of Bangla music both in Bangladesh and India. This week, in an interview with Rafi Hossain, the songstress shares her tale of love, successes, and passions.
Rafi: I am immensely pleased to have our very beloved, OUR Mitali Mukherjee with us today. I am a fan of yours and even on the way to the office, I have been humming your tunes, especially Bhule Gecho Shanto. How are you today?
Mitali: I truly sense the affection and closeness when you call me OUR Mitali. I feel absolutely elated to be at my birthplace, my soil, my homeland. The emotion is unique and indescribable! I am doing very well today. And the song you mentioned Bhule Gecho Shanto is also one of my favorite songs.
Rafi: It’s a beautiful song. Who was the composer?
Mitali: It was composed by Alauddin Ali. Keno Asha Bedhe Rakhi was my melody and written by my younger brother Pradip Mukherjee. There is a story behind this song. My elder brother Deepak was the main support behind my musical career. He encouraged me greatly and made me listen to all the prominent artists. I was handed this project after he passed away in 1988. Which is why I would say the melody came from the depth of my loss. And many came to me personally saying that they could feel the pain and anyone who has lost a loved one can connect to the song.
Rafi: Did you compose any other song, apart from Keno Asha Bedhe Rakhi?
Mitali: Yes, I have composed a few Ghazals. I have also sung a few Gujarati and Tamil songs. I have recorded a few Bangla songs recently, done halfway through. I plan to release them soon when they are ready. Everyone around me tells me to release them soon and be more spontaneous but I am a perfectionist; I feel I still have a few changes to make in terms of the lyrics, tune, and music. I hope you will get to hear from them soon.
Rafi: You have been in the music industry for a while now. Do you find any difference between the Indian and Bangladeshi music industry?
Mitali Mukherjee Photo
Mitali: Being a Bengali girl from Mymensingh and coming from a culturally rich family where I practiced Nazrul Geeti and Rabindra Sangeet, the journey towards music was paved easily. However, when I first started to learn Gujarati, I stumbled in the theoretical part because it was completely new to me. I could speak and understand Hindi but the writing was a challenge for me. My teacher greatly motivated me and ultimately I took the challenge positively. Hindi words are similar to Sanskrit, which is why I could relate to them.
My range of expertise in multiple languages grew when I started to learn Urdu for Ghazals. The intonation of few words is different in Urdu and step by step I learned from different eminent personalities to enhance my linguistic skills. This became my foundation as an artist in India. I believe folk, Sufism and Lalon, Bulleh Shaha, Baba Farid – all of them share the same philosophy and roots, only the language is different. So the only difference working in the Indian subcontinent for me is the language and as I can sing in multiple languages, my audiences can connect to my performances easily.
Rafi: What suggestion would you give to the aspiring musicians of today who want to go abroad to learn music?
Mitali: The main objective should be the desire for learning rather than mere stardom. I always followed singers like Runa Apa, Sabina Apa, Lata Mangeshkar and had the longing to just reaching the correct note they are singing it. The new generation should embrace humility and their sole focus should be on learning.
They should also choose reputed music institutes to learn music, like ICCR in Kolkata, Baroda, or Delhi. The youngsters should also cultivate the habit of reading: literature in general, poetry in specific. The works of Rabindranath, Nazrul, Shamsur Rahman, Humayun Ahmed, Helal Hafiz are thought to provoke and teach you a lot about life. I have one blue and one green notebook where I note every quote or excerpt of poems that I like.
Rafi: Interesting. Tell us more about your notebooks?
Mitali: My blue notebook is filled now; I have a green notebook where I wrote a saying of Rabindranath, which I really like, “Shimul kaath e hok ba Bokul kaath, Jokhon jole agun chehara ta ek”. So I always write anything noteworthy in my notebooks.
Rafi: You have a desire to establish a classical music academy in Bangladesh. Tell us more about your plan.
Mitali: When I was the judge of the Sa Re Ga Ma Pa musical contest, many aspiring musicians from Bangladesh sent request letters to participate in the contest. Gajendra Singh, the director of the show, mentioned to me that everyone in Bangladesh is folk-based.
He also asked me about the practice of classical music in Bangladesh. This hit me hard. Every time I come here, I feel the absence of an academy or institute focusing on classical music. Bangladesh does have classical fest and similar events. I believe workshops conducted by prominent persons can help a lot in enhancing the skills of the singers. Sometimes talking and exchanging knowledge can contribute significantly in the overall development of a skill. Thus I dream that a Bangladeshi young singer will someday do the opening performance in a classical fest.