Joseph Rodman Drake’s biography, net worth, fact, career, awards and life story

Intro Early American poet
Was Poet 
Writer 
From United States of America 
Type Literature 
Gender male
Birth 7 August 1795, New York City
Death 21 September 1820, New York City
(aged 25 years)

Joseph Rodman Drake (August 7, 1795 – September 21, 1820) was an early American poet.

Biography

Born in New York City, he was orphaned when young and entered a mercantile house. While still a child, he showed a talent for writing poems. He was educated at Columbia College. In 1813 he began studying in a physician’s office. In 1816 he began to practice medicine and in the same year married Sarah, daughter of Henry Eckford, a naval architect.

In 1819, together with his friend and fellow poet Fitz-Greene Halleck, he wrote a series of satirical verses for the New York Evening Post, which were published under the penname “The Croakers.” Drake died of consumption a year later at the age of twenty-five.

As a writer, Drake is considered part of the “Knickerbocker group”, which also included Halleck, Washington Irving, William Cullen Bryant, James Kirke Paulding, Gulian Crommelin Verplanck, Robert Charles Sands, Lydia M. Child, and Nathaniel Parker Willis. A collection, The Culprit Fay and Other Poems, was published posthumously by his daughter in 1835. His best-known poems are the long title-poem of that collection, and the patriotic “The American Flag” which was set as a cantata for two soloists, choir and orchestra by the Czech composer Antonín Dvořák in 1892-93. “The Culprit Fay” served as the inspiration for a 1908 orchestral rhapsody of the same name by Henry Kimball Hadley.

Fitz-Greene Halleck’s poem “Green be the turf above thee” was written as a memorial to Drake. Joseph Rodman Drake Park in Hunts Point, Bronx, was named for him in 1915. This park has received $180,000 of New York State funding to memorialize slave workers likely to be buried there.

Critical response

In the early 19th century Americans numbered Drake and his friend Halleck as a two of the leading literary personalities and talents produced by their country, but their reputations were short-lived. In April 1836, Edgar Allan Poe published a review of their work–known to Poe scholars as “The Dake-Halleck Review”– in the Southern Literary Messenger criticized both, though he thought Drake the better of the two. Poe’s essay is as much a critique of the state of criticism at that time, objecting to the fact that “at this particular moment there are no American poems held in so high estimation by our countrymen, as the poems of Drake, and of Halleck.” Looking at Drake’s The Culprit Fay, a narrative poem of 640 lines, Poe found elements to praise but wrote that “the greater part of it is utterly destitute of any evidence of imagination whatever”. He found Drake capable of description, but offered his view that description required little poetic ability and provided his own alternatives to show how simple this writing was. For Drakes’ lines:

        He put his acorn helmet on;
        It was plumed of the silk of the thistle down:
        The corslet plate that guarded his breast
        Was once the wild bee’s golden vest;
        His cloak of a thousand mingled dyes,
        Was formed of the wings of butterflies;
        His shield was the shell of a lady-bug queen,
        Studs of gold on a ground of green;*
        And the quivering lance which he brandished bright
        Was the sting of a wasp he had slain in fight.

Poe offered:

        His blue-bell helmet, we have heard
        Was plumed with the down of the hummingbird,
        The corslet on his bosom bold
        Was once the locust’s coat of gold,
        His cloak, of a thousand mingled hues,
        Was the velvet violet, wet with dews,
        His target was, the crescent shell
        Of the small sea Sidrophel,
        And a glittering beam from a maiden’s eye
        Was the lance which he proudly wav’d on high.

In Poe’s view this ability creates “a species of vague wonder at the writer’s ingenuity” in most readers, but Poe mocked it as an example of the “sublimely ridiculous” and “puerilities”, requiring the reader to “imagine a race of Fairies in the vicinity of West Point”.

Works

  • The American Flag
  • The Culprit Fay: and Other Poems (1835)
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