Dallas Austin’s biography, net worth, fact, career, awards and life story

Dallas L. Austin (born December 29, 1970) is an American musician, songwriter, record producer, and film producer.

Biography

Early life

Austin was born in Columbus, Georgia. In a lengthy 2019 interview with DJ Vlad, he divulged numerous details of his life and career. Austin had two brothers who as young men were frequently in prison for crimes such as drug trafficking and robbery. His mother was self-employed as the proprietor of a restaurant located next door to their home. At the time of Austin’s birth, his mother had never held a salaried job, and would not do so until the family moved to Atlanta when Austin was a teenager. Austin did not much like living in Columbus as his family’s finances were not the best and he disliked his living conditions. As a child, Austin became interested in music and asked his mother to buy him a keyboard; she was initially reluctant to do so because she was concerned that he would not stick with his interest, but Austin managed to assuage her fears by proposing that she start out by buying him a small machine, then, as he kept with it every year, buy him progressively larger machines; his mother relented and she followed Austin’s suggestion. When he was a teenager, one of his brothers threw his keyboard across his bedroom; Austin was very much upset by this as he felt music was his “way out” of his living conditions. He recalled after this event feeling that he could no longer put up with his life in Columbus, and he boarded a bus to Atlanta to move there, where he told his family that he would stay with his aunt. Austin’s mother said that if he was leaving, then she and his brothers would also move there as she did not want to be apart from him. To do this, Austin’s mother had to save up money, and his mother and brothers joined him months later. Austin’s mother got a job at a restaurant. Austin by this time lived in neighborhoods where the Ku Klux Klan was prominent, but this proved not to be too big an issue.

Career

Austin got his start in the music industry by way of Klymaxx member Joyce Irby. Under her guidance, he was enlisted as a producer for her company Diva One Productions. Austin produced the lead single of Irby’s debut for Motown Records as well as the songs “My Music” and “I Will Always Love You” for Troop’s 1989 album Attitude. When he was starting out as a producer, he would frequent a local skating rink and records that he produced would be played over the sound system; T-Boz, his future collaborator of TLC fame, was also a frequent patron. He used to take his keyboard to school with him, but his mother expressed annoyance at this, telling his school guidance counselor that she did not feel his production career would work out, but the counselor told her that because Austin had kept at his hobby for so long (it was his eleventh grade year), then perhaps it would indeed work out, and suggested that Austin’s mother back him. His mother, upon hearing this from a third party, agreed to support Austin. Austin, who was nearly finished with his compulsory education, expressed his wish to cease going to school. His mother, though not pleased with this, allowed him to do so. He spent a large amount of his time at the aforementioned skating rink, where the owners had built a studio for an Atlanta production collective, Organized Noize. All of this was around 1986.

In 1990, Austin branched out on his own. His work on Motown led him to work on albums by other acts signed to the label – the first being the little known group Glasswurk. Austin later helmed the bulk of the debut albums for the Motown signees Another Bad Creation and Boyz II Men. When he telephoned Joyce Irby to say that he was to work with Boyz II Men, she told him that she was going to “[sue] everybody” and immediately thereafter hung up the phone. Austin initially did not understand why she said this, but would later find out that it was because he was considered a “work for hire” employee of Irby. He consulted a lawyer and the lawyer said that although the employment contracts to which he was a party were not favorable to him, they were fair enough so he advised Austin to keep working under them. Irby did not sue anybody and everything worked out as Austin was, as aforementioned, able to produce on the debut Boyz II Men record. When DJ Vlad asked Austin why he only produced one song on Boyz II Men’s second album, he said it was because he “didn’t like them” after the first album. He said in turn that this was because the members had ostensibly become vain since their success had begun, paraphrasing them emphasizing costly tangibles with statements such as “Man […] I can’t finish counting the diamonds in my Rolex right now.”, and “we gotta let somebody win [referring to music industry awards] this year; good thing we’re not there.”

Austin was later recruited by L.A. Reid and Babyface to work on a couple of projects for their record label, LaFace Records. The duo recruited him to work on the debut album for TLC. From there, he was granted a deal for his short-lived group Highland Place Mobsters, which was Austin joining the members Glasswurk who were formerly signed to Motown.

After his success with other acts, Austin was recruited by After 7 to produce a few songs on their second album, Takin’ My Time. Austin then worked with Madonna on her 1994 album Bedtime Stories. In the 2000s, Austin worked with pop acts and produced hit singles like TLC’s “Unpretty”, Pink’s songs “Don’t Let Me Get Me” and “Just Like a Pill,” and Gwen Stefani’s 2004 single “Cool.”

Personal life

Austin has 3 children, including a son, Tron Austin, born in 1997 to TLC singer Chilli, and a niece, whom he helped raise after the death of his brother, Claude Austin, in 1994.

Record labels founded by Dallas Austin

• Rowdy Records: Founded by Austin in 1992. The label was distributed by Arista Records and later, Motown Records when it was reactivated in 2005. Artists signed to the label were Illegal, Da King & I, Y’all So Stupid and Monica. Later artists during the reactivation include Colin Munroe and Da Backwudz. Rock act Fishbone signed to Rowdy after being dropped from Columbia Records.
• Limp Records: A short-lived label founded by Austin in 1993 and distributed by EMI Records. Only two albums were issued by the label: A View to a Kill by Shadz of Lingo and The Pendulum Vibe by Joi.
• Freeworld Entertainment: A short-lived label founded by Austin in 1998 and distributed by Capitol Records. Released “Forty Six & 2”, the fourth single from Tool’s 1996 album Ænima. Two artists were signed to the label: singer Lysette and teenage singer Sammie, who released his debut From the Bottom to the Top in 2000. After Freeworld folded, Sammie released his follow-up album several years later on Austin’s other label Rowdy Records.

Recording studio

Austin owned a personal recording studio named D.A.R.P., an acronym for “Dallas Austin’s Recording Projects.” It was later renamed UAMG Studios, short for “Urban Angels Music Group.”

Discography