| Intro | German musician |
| Was |
Musician Educator Pianist Music educator |
| From | Germany |
| Type |
Academia Music |
| Gender | male |
| Birth | 18 September 1872, Bingen am Rhein, Mainz-Bingen, Rhineland-Palatinate, Germany |
| Death |
9 September 1955, Trieste, Province of Trieste, Friuli–Venezia Giulia, Italy (aged 83 years) |
| Star sign | Virgo |
Carl Rudolf Hermann Friedberg (September 18, 1872 Bingen, Germany – September 9, 1955 Meran, Italy) was a German pianist and teacher.
Friedberg studied piano with James Kwast and with Clara Schumann at the Hoch Conservatory, Frankfurt. He became a teacher there (1893–1904) and later at the Cologne Conservatory (1904–1914). From 1923 until his retirement in 1946, Carl Friedberg was principal piano teacher at the New York Institute of Musical Art (the institution which later would become the Juilliard School of Music). His pupils include Gertrude Lightstone Mittelmann, William Browning, Malcolm Frager, Bruce Hungerford, Nina Simone, William Masselos, and Elly Ney. See: List of music students by teacher: C to F#Carl Friedberg. Friedberg’s career as a performer spanned over 60 years in both Europe and America. He made his official debut in 1892 with the Vienna Philharmonic Orchestra under Mahler. This performance received a positive review from Edward Hanslick. In 1893 he had given an all-Brahms recital in the presence of the composer, who highly admired his playing and who later coached him in private on the performance of the majority of his piano works. As a chamber musician he replaced Artur Schnabel in the Schnabel-Flesch-Becker Trio in 1920 and played in that ensemble until 1932. Friedberg gave many recitals with Fritz Kreisler throughout America and in 1937 formed his own trio with Daniel Karpilowsky and Felix Salmond. Though widely known to disdain the sound of the recorded piano, Friedberg did, at age 81 (1953) record a single commercial LP for Zodiac Records (LPZ-1001), released in two editions (limited early release with pink cover and full, later release with piano graphic) Unreleased takes from this recording session were released 30 years later on IPAM1102 and 1103. Although Friedberg’s repertory was wide, he became associated with the music of Beethoven, and especially of Schumann and Brahms.