Analeigh Tipton Biography, Age, ANTM, Broken Star, Movies and TV Shows

Analeigh Tipton Biography

Analeigh Tipton (Analeigh Christian Tipton) is an American actress, and fashion model. Tipton is known for placing third on Cycle 11 of America’s Next Top Model and also for her roles in the films Crazy, Stupid, Love (2011), Warm Bodies (2013), and Two Night Stand (2014).

Tipton began ice skating at two and a half years old. Her family then relocated to to Sacramento, California when she was 8 years old and she later went to school in Placerville, California.

She also competed in four U.S. Synchronized Skating Championships. With her pair partner Phillip Cooke, they twice became regional champions, and competed twice at the U.S. Junior Figure Skating Championships on the Juvenile level.

Tipton retired from competitive skating at 16 but then continued to skate in charity ice shows for AIDS foundations and to also rebuild a rink damaged in a fire.

Analeigh Tipton Age

Analeigh Christian Tipton was born on November 9, 1988 in Minneapolis, Minnesota, U.S. She is 30 years old as of 2018.

Analeigh Tipton Parents

She was born to Robin Jeanne (Debes) and Stephen Kimberley Tipton.

Analeigh Tipton Dating | Analeigh Tipton And Jake Mcdorman

Analeigh has been dating fellow actor Jake Mcdorman.

Analeigh Tipton Aaron Mcmanus

Tipton previously dated producer, and actor Aaron McManus whom she dated for six years and they got engaged in 2013. However, the relationship did not end up to a wedding because they called it off in 2014.

Analeigh Tipton Model

Analeigh was signed to I Model & Talent in Los Angeles and also walked in Los Angeles Fashion Week Fall 2008 for designer, Kelly Nishimoto for her Fall 2008 collection, Imasu.

Analeigh signed with Ford Models in Los Angeles and Abrams Artists Agency, in both the commercial and also theatrical divisions. Tipton appeared on Spain’s Marie Claire, Seventeen magazine’s December 2008-January 2009 edition, a several page spread in Maxim and also Vogue. Analeigh was also featured in ads for Forever 21 and Guess.

She then modeled Geren Ford’s pre-fall 2010 collection in 2010. For Los Angeles Fashion Week Tipton walked for Skingraft and David Alexander for the S/S 2010 season. Her other runway credits include Mercedes-Benz Fall Fashion Show, Ticket Fashion Show, Nick Verreos Line, Guess?, and also America’s Next Top Model obsessed fashion show.

Analeigh Tipton ANTM | Analeigh Tipton America’s Next Top Model | Analeigh Tipton Next Top Model

She placed third on Cycle 11 of America’s Next Top Model in 2008. Tipton was recruited through Myspace and was asked to audition in Los Angeles. She revealed that she once encountered sex traffickers posing as modeling agents at the beginning of the show.

Tipton was then sold to a Saudi Arabian prince but then managed to get out of the situation before the deal was finalized. After she landed in the bottom 2 in the episode “You’re Beautiful, Now Change” for not using her ice-skating moves to her advantage, Tipton rebounded and appeared in the top three for seven consecutive weeks.

Analeigh Tipton Covergirl

She was called first twice, one for the first CoverGirl commercial, which Tyra Banks deemed “the best CoverGirl commercial in the history of America’s Next Top Model.” Tipton also won the go-sees challenge, by booking all three of her go-sees she went to and also getting back on time. In a challenge won by Elina Ivanova, Elina shared her prize with Marjorie Conrad and Analeigh; they then appeared alongside each other in the December 2008/January 2009 issue of Seventeen magazine.

Tipton was finally eliminated in the finale after forgetting her lines in the second CoverGirl commercial, which also left Samantha Potter and McKey Sullivan to walk in the finale runway show.

Analeigh Tipton Actress

She also made her film debut in The Green Hornet, which was then released on January 14, 2011. She played a babysitter who has a crush on Steve Carell’s character in Crazy, Stupid, Love. prompting The New York Times to call her a “face to watch”.

Analeigh was cast in the third season of HBO’s TV comedy Hung where she portrayed Sandee, a young gigolo’s scheming fiancee.

Analeigh Tipton Lucy

She also had a small role opposite Scarlett Johansson in the 2014 science fiction action film Lucy. Tipton had her first lead role in Two Night Stand directed by Max Nichols which was then released on September 26, 2014.

Analeigh was the co-lead in ABC’s short-lived comedy series Manhattan Love Story in 2014.

She played Avery’s date, Lauren in 2018, on the remake of Murphy Brown (S1 E7 “A Lifetime of Achievement” )

Analeigh Tipton Warm Bodies

Tipton also played a supporting role in the zombie-apocalyptic horror-romance Warm Bodies, directed by Jonathan Levine.

Analeigh Tipton Big Bang | Analeigh Tipton Big Bang Theory

Analeigh and Samantha Potter appeared as guest stars on an episode of the television series The Big Bang Theory in 2008.

Analeigh Tipton Net Worth

The model has an estimated net worth of $1.5 million.

Analeigh Tipton Movies and TV Shows

Analeigh Tipton Movies | Analeigh Tipton Movies | Analeigh Tipton Film

Analeigh Tipton TV Shows

Analeigh Tipton Hot | Analeigh Tipton Feet | Analeigh Tipton Tattoo | Analeigh Tipton Bikini

Analeigh Tipton Twitter

Tweets by OhAnaleigh

Analeigh Tipton Instagram

Analeigh Tipton Limitless

Analeigh Tipton Crazy Stupid Love

Analeigh Tipton Interview

Published: July 18, 2018

Source: brieftake.com

Brief Take: The idea of always being watched is extremely timely.

Analeigh Tipton: I have a fascination recently with YouTube channels. I have a little godson who’s six and he’s obsessed with YouTube channels, and I don’t get it, I feel like an old fogey when I talk about it. But one of the more interesting aspects of this YouTube generation, in a way, is this obsession with [pauses] the lack of difference between what you’re watching on the computer and your everyday life. You can film your everyday life, you don’t need a reality show, you don’t need a budget, you don’t need anything. You can expose what you want to, and you can basically find and watch and observe someone else’s private situations as much as you want to. For me that’s a really interesting aspect of what that is contributing to an individual’s sense of self and sense of privacy and worth. So for Markey, I kind of tried to assume some of that and for also for Markey, I need to be watched because I hate myself, I don’t want to be alone with myself and I’m afraid of myself.

BT: How did it feel in certain scenes to be acting like you were acting?

AT: It was really strange for me, but also wonderful because it was the closest thing to pretend I’ve done. You can say that acting is all pretend, but there’s so many technical things that go into it. So when Markey has those moments of being able to pretend, and I got to pretend to pretend in a scene [laughs], I think it was much more freeing of a situation because you wanted it to come off as natural as possible. I assumed that she was a good actress, or at least a decent actress, and so whenever I did those bits of her becoming her grandmother or her becoming Marilyn (Monroe), I guess that there was more pressure because you wanted her interpretation to be a good one. At the same time I didn’t feel like it had to be my interpretation, and it kind of was freeing in that aspect, but again it goes back around, kind of Ouroboros style.

BT: What did you enjoy about working with Tyler Labine?

AT: He’s incredible! I don’t know how I would have gone to some of the places…I’m not very good at crying on cue. I can’t. I lock up in my real life, I lock when I’m acting for sure, because I’m being observed. If I hadn’t trusted Tyler so much, in those moments it really felt like on and off set he became someone who was a mentor, and still is. We relate and work on a lot of similar things. It was really a blessing to have someone in those really vulnerable moments. I’m not really good at looking at the other actor and seeing the character always. I can’t as much as I will possibly try to, but at the end of the day, if I’m going to open up in some way, I have to trust the person at whom I am looking. It’s probably one of my biggest downfalls as an actor, but with Ty I could just look at him and he could look at me like a person he cared about, and I could be vulnerable.

BT: How did it feel in certain scenes to be acting like you were acting?

AT: It was really strange for me, but also wonderful because it was the closest thing to pretend I’ve done. You can say that acting is all pretend, but there’s so many technical things that go into it. So when Markey has those moments of being able to pretend, and I got to pretend to pretend in a scene [laughs], I think it was much more freeing of a situation because you wanted it to come off as natural as possible. I assumed that she was a good actress, or at least a decent actress, and so whenever I did those bits of her becoming her grandmother or her becoming Marilyn (Monroe), I guess that there was more pressure because you wanted her interpretation to be a good one. At the same time I didn’t feel like it had to be my interpretation, and it kind of was freeing in that aspect, but again it goes back around, kind of Ouroboros style.

BT: What did you enjoy about working with Tyler Labine?

AT: He’s incredible! I don’t know how I would have gone to some of the places…I’m not very good at crying on cue. I can’t. I lock up in my real life, I lock when I’m acting for sure, because I’m being observed. If I hadn’t trusted Tyler so much, in those moments it really felt like on and off set he became someone who was a mentor, and still is. We relate and work on a lot of similar things. It was really a blessing to have someone in those really vulnerable moments. I’m not really good at looking at the other actor and seeing the character always. I can’t as much as I will possibly try to, but at the end of the day, if I’m going to open up in some way, I have to trust the person at whom I am looking. It’s probably one of my biggest downfalls as an actor, but with Ty I could just look at him and he could look at me like a person he cared about, and I could be vulnerable.